A Bridge to Home
By Buck Zaidel A black leather carte de visite album with space to hold six images has three words in an unadorned font stamped into the cover flap: Soldiers Photograph
By Buck Zaidel A black leather carte de visite album with space to hold six images has three words in an unadorned font stamped into the cover flap: Soldiers Photograph
The freshly starched cuffs and collar and pressed uniform coat with military buttons underscore the careful preparation of the remains of this Union officer. His shoulder straps have been removed,
By Kurt Luther In April of this year, the Facebook page “Civil War Pittsburgh,” managed by public historian Rich Condon, posted an intriguing photo of a group of Civil War
By Adam Ochs Fleischer If you haven’t had the opportunity to peruse the Library of Congress’ digitized collection of Civil War glass plate negatives, I encourage you to do so.
My favorite story about Henry Deeks, or Dan as he was also known, predates the digital era, when collectors relied on printed catalogs to purchase Civil War artifacts. What distinguished
Charles Darden has collected carbines for almost a half century—and he doesn’t have any plans to stop. Darden might have focused on the unique firearm exclusively. But that changed in
By Warren “H” Shindle Since the earliest days of photography, practitioners created non-continuous sweeping outdoor views with multiple exposures. These separate, patch-worked together images documented city landscapes, such as a
If you ask Rich Jahn about the photographs he has collected for more than four decades, he takes a long view. “We never own these images. We are only the
The 7th New York State Militia The regiment posed for these group portraits at Camp Cameron in Washington, D.C. in 1861. The studio of Mathew B. Brady is believed to
Daniel D. Tompkins arrived at the U.S. Military Academy in 1814 with an aptitude for learning and a well-known namesake—his uncle, the governor of New York, who would soon serve