On Blue, Gray and Khaki
It perhaps comes as no surprise that MI marks the centennial of America’s entry into World War I with images of doughboys and Civil War veterans. This project has developed
It perhaps comes as no surprise that MI marks the centennial of America’s entry into World War I with images of doughboys and Civil War veterans. This project has developed
Back in February at Virginia Tech in Blacksburg, I glimpsed the future of soldier photo identification. In the conference room of a building on campus, professor Kurt Luther brought our
On a brutally cold winter’s day this past December, I traipsed the battlefield of Ball’s Bluff for the first time. As I trekked down the trail along the edge of
Two individuals that I’ve met in recent months make important contributions to the visual record of early American military portrait photography in this issue. Both are unique to this publication
All Civil War photographs can be arranged on a broad spectrum of historical significance. Where they fall is determined by criteria that include provenance, subject and content, as well as
The furious fighting in and about a bustling crossroads village in Pennsylvania for three days in July 1863 is Homeric in its scope. Every patch of hallowed ground on the
The rare tintypes of Jefferson and Varina Davis showcased in this issue share much in common with the portraits MI has long featured for its readers. Since 1979, we’ve published
On a crisp clear day this autumn, I sat down with John O’Brien to discuss an iconic carte de visite of Gen. Robert E. Lee. My laptop and scanner seemed
One of my favorite moments at a collector’s show is the instant when I open the case of an ambrotype or tintype and peer into the face of the soldier
A visitor to the MI table at the recent Ohio Civil War Show in Mansfield was surprised to learn that the photographs reproduced here are not colorized. He assumed that Military