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Plate or Paper? Choosing the best format for a portrait photograph during the Civil War

Behind every Civil War portrait photograph lies a question that the person paying the bill had to consider: Which format do I choose? Two primary options were available. Hard plates, in the form of an ambrotype, tintype, or, early in the war, a daguerreotype. Or albumen paper prints, notably the carte de visite. How a sitter came to make the choice is almost impossible to know. Popular culture, economics and other factors offer clues as to how they might have decided the format best suited to their needs.

James Helme Richard (1838-1914) is pictured in plate, left, and paper as a corporal in Company D of the 18th Connecticut Infantry. He left in 1864 to be a captain in the 19th U.S. Colored Infantry. He fought at the Battle of the Crater, and served until 1866. He shared his wartime experience in “Services with Colored Troops in Burnside’s Corps” in 1894. Sixth plate tintype by an unidentified photographer; carte de visite by an unidentified photographer. Paul Russinoff Collection.
James Helme Richard (1838-1914) is pictured in plate, left, and paper as a corporal in Company D of the 18th Connecticut Infantry. He left in 1864 to be a captain in the 19th U.S. Colored Infantry. He fought at the Battle of the Crater, and served until 1866. He shared his wartime experience in “Services with Colored Troops in Burnside’s Corps” in 1894. Sixth plate tintype by an unidentified photographer; carte de visite by an unidentified photographer. Paul Russinoff Collection.


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